Sunday, February 12, 2017

USA Africa Dialogue Series - How Women’s Studies Erased Black Women [ The Centuries Long Ongoing Struggle of Black People]


How Women's Studies Erased Black Women

Women's March
Courtesy of photographer Kevin Banatte
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For many, a single photo defined the Women's March on Washington: an image of three blond, texting white women standing behind a woman of color who holds a sign that reads "Don't forget: White women voted for Trump." The viral image sums up the concerns that the largely white march appropriated the labor of black women. Though the photo's subject occupies the foreground, she is, in effect, hidden from the other, white participants of the march—an experience that is echoed by the ways in which black women were erased from early Women's Studies.

V.P. Franklin looks at women "hidden in plain view:" black women who were initially ignored and made invisible by the nascent Women's Studies movement. Though they were bedrocks of the Civil Rights, Black Power, and student movements of the 1950s through 1970s, African-American women experienced overwhelming sexism there. "However," writes Franklin, "the masculinist posturing virtually endemic to Black Power groups did not necessarily push African American women into the expanding ranks of the Women's Liberation Movement"—nor into its academic offshoot, Women's Studies.

"In the early years of Women's Studies programs," writes one scholar, "African American women and their experiences were rendered invisible."

The founders of Women's Studies were overwhelmingly white, and focused on the experiences of white, heterosexual women. Their views contributed to their erasure of other women. Liberal feminists thought that "equal rights" would automatically uplift everyone and so never addressed the diverse concerns of different groups. Meanwhile, socialist radical feminists focused on economics as opposed to race.

When black women spoke out against white women's claims that they spoke for all women, they were met with hostility. Franklin tells the story of Barbara Omolade, a political activist who helped organize a groundbreaking women's history retreat in 1979 that helped birth Women's Studies. Within six months, she resigned due to racism she called "pervasive, subtle and devious," turning every day into "a battleground for inclusion."

Omolade was far from the only woman who faced these challenges. Nor were African-American women the only group affected; Franklin documents how splinter "studies" like Lesbian Studies were characterized as a threat to Women's Studies. And simply admitting black and lesbian women into Women's Studies curricula—a change that happened gradually throughout the 1980s—was not enough.

The term "women of color" also threatened African-American women's experiences by subsuming their identities in one category with those of women of other races. As a result, some black women created their own alternative lines of academic inquiry, from "womanism," defined by Alice Walker as a commitment to the survival and wholeness of an entire people, to Black Women's Studies.

"In the early years of Women's Studies programs," writes Franklin, "African American women and their experiences were rendered invisible." Now that Women's Studies itself is on the chopping block at many institutions, perhaps white women are better able to identify with the women they once overlooked.


JSTOR Citations

Hidden in Plain View: African American Women, Radical Feminism, and the Origins of Women's Studies Programs, 1967-1974

By: V. P. Franklin

The Journal of African American History, Vol. 87, New Perspectives on African American Educational History (Autumn, 2002), pp. 433-445

Association for the Study of African American Life and History

Erin Blakemore

Erin Blakemore is a Boulder, Colorado-based author and historian. Her debut book, The Heroine's Bookshelf (Harper), won a Colorado Book Award for Nonfiction and has been translated into Italian, Korean and Portuguese. Erin has written about history and culture and other topics for Smithsonian.com, The Washington Post, TIME, mental_floss, NPR's This I Believe, The Onion, Popular Science, Modern Farmer and other journals. You can find more of her work at erinblakemore.com.

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