Thursday, February 28, 2013
USA Africa Dialogue Series - Fw: NSIA’S SEARCH FOR A NEW FOREIGN POLICY
RE: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
It is right to worry about a suffering collective of thousands of people but it must not be at the cost of any one innocent person. Martin Luther King Jr. reminds us that “Injustice anywhere is a threat to justice everywhere”. Mumia deserves justice.
There are two sides to the Mumia case. Each case’s supporters seem to be stridently inattentive to the other. If they listened to each other more, both group of supporters might get closer to the truth about Mumia’s guilt or innocence. It must not be forgotten that there is one victim- the slain policemen who deserves to be spoken for too. He too deserves justice.
oa
From: usaafricadialogue@googlegroups.com [mailto:usaafricadialogue@googlegroups.com] On Behalf Of Ikhide
Sent: Thursday, February 28, 2013 4:01 PM
To: usaafricadialogue@googlegroups.com
Subject: Re: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
Professor Emeagwali,
I almost regret my intervention here, because you know what, minds are made up about Mumia, that is the lunatic brilliance of that manipulative man. You can read stuff like this. Why Mumia is Guilty and it still doesn't matter because a lunatic fringe in the deep left sees this dude as their poster child. People make mistakes, he made a mistake as a young man, he will not admit it. I would respect him a lot more if he as much as acknowledged that he did something wrong.
A pox on all his houses. I don't really do singletons, my mind is on the thousands of beautiful brown people, children, that are hunted down, shackled and frog-marched into the prison-industrial complex. Our black intellectuals including Obama are too busy being middle class and elite to worry about that. Mumia does not rock my boat.
- Ikhide
Stalk my blog at www.xokigbo.com
Follow me on Twitter: @ikhide
Join me on Facebook: www.facebook.com/ikhide
From: "Emeagwali, Gloria (History)" <emeagwali@mail.ccsu.edu>
To: "usaafricadialogue@googlegroups.com" <usaafricadialogue@googlegroups.com>
Sent: Thursday, February 28, 2013 11:44 AM
Subject: RE: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
'Obama could care less about structural changes to the judicial system that would stop hunting down our children like prey. THAT is what we should be advocating for,
not for the wretched life of a sniveling coward.' Ikhide
Ikhide, Mumia is by no means a coward. He is one of the most valiant fighters of the post
civil rights era. Have you listened to his speeches?
You are right about the need for structural changes in the judicial system, though..
Professor Gloria Emeagwali
Documentaries on Africa and the African Diaspora
www.vimeo.com<http://www.vimeo.com/>
________________________________
From: usaafricadialogue@googlegroups.com [usaafricadialogue@googlegroups.com] On Behalf Of Ikhide [xokigbo@yahoo.com]
Sent: Thursday, February 28, 2013 9:04 AM
To: usaafricadialogue@googlegroups.com
Subject: Re: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
It would be a travesty of justice if anyone pardons Mumia or whatever that cowardly thug's name is. He was convicted of killing someone in uniform. He refuses to man up and accept personal responsibility. He games the system blatantly, plays the liberal left like a violin and now we have to watch a movie about him? I am sure he has free wi-fi in prison!
Here, we have African intellectuals crying up a storm about ONE man who is living in the laps of luxury in a pretend-prison for killing a police officer. They will not say a word for the hell-holes that are prisons in Black Africa (Kirikiri, Oko ita, etc). No, that is not sexy enough, let the BBC go to the slums of Makoko to film a living hell, out come their pens wailing racism - at the BBC. You can't win.
Who cares about Mumia when the prisons of America are warehouses for brown people? Thanks to clinton era discriminatory drug sentencing brown children have filled hell-holes like Angola prison, no one does anything about that. Obama could care less about structural changes to the judicial system that would stop hunting down our children like prey. THAT is what we should be advocating for, not for the wretched life of a sniveling coward.
- Ikhide
- Ikhide
Stalk my blog at http://www.xokigbo.com/
Follow me on Twitter: @ikhide
Join me on Facebook: www.facebook.com/ikhide<http://www.facebook.com/ikhide>
From: Abdul Karim Bangura <theai@earthlink.net>
To: usaafricadialogue@googlegroups.com; Funmi Tofowomo Okelola <cafeafricana1@aol.com>
Cc: leonenet <leonenet@lists.umbc.edu>
Sent: Wednesday, February 27, 2013 11:26 PM
Subject: Re: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
And watch Obama leave office without pardoning him!
http://www.firstrunfeatures.com/trailers_mumia.html
Before he was convicted of murdering a policeman in 1981 and sentenced to die, Mumia Abu-Jamal was a gifted journalist and brilliant writer. Now after more than 30 years in prison and despite attempts to silence him, Mumia is not only still alive but continuing to report, educate, provoke and inspire.
Stephen Vittoria's new feature documentary is an inspiring portrait of a man whom many consider America's most famous political prisoner - a man whose existence tests our beliefs about freedom of expression. Through prison interviews, archival footage, and dramatic readings, and aided by a potent chorus of voices including Cornel West, Alice Walker, Dick Gregory, Angela Davis, Amy Goodman and others, this riveting film explores Mumia's life before, during and after Death Row - revealing, in the words of Angela Davis, "the most eloquent and most powerful opponent of the death penalty in the world...the 21st Century Frederick Douglass."
STEPHEN VITTORIA, Writer/Director/ Producer/Editor
Mumia: Long Distance Revolutionary is Stephen Vittoria’s current documentary and it opens in theatres this fall. His last film, One Bright Shining Moment: The Forgotten Summer of George McGovern won top honors at the Sarasota Film Festival as “Best Documentary Feature” and was released nationwide by First Run Features. In 1987, Vittoria wrote, directed, and edited his first film, the dramatic feature Black & White, starring Kim Delgado and Frank Vincent – a story about racism set against the backdrop of post-World War II America. In 1995, Vittoria produced, wrote, and directed Hollywood Boulevard, starring John C. McGinley, Jon Tenney, and Julianne Phillips – a dark and satirical look at the motion picture business.
In 1998, Vittoria wrote, directed, and edited the six-hour health documentary Save Your Life – The Life and Holistic Times of Dr. Richard Schulze, and then in 2005 he wrote, directed, and edited the television documentary Keeper of the Flame with journalist Linda Ellerbee and actor Wilford Brimley – a film that deals with the current ecological crisis facing American forests.
Recently, Vittoria was a producer on two feature documentaries by Academy Award winner Alex Gibney:Gonzo: The Life & Work of Dr. Hunter S. Thompson and Magic Trip. Vittoria is the founder and creative director of two Southern California production companies – Street Legal Cinema and Deep Image. One day, Steve hopes to play centerfield for the New York Yankees. He lives in Los Angeles (under protest).
Praise for Stephen Vittoria's MUMIA: Long Distance Revolutionary
"Coverage of public discourse in the United States often makes it seem as if the only ideologies still in the game were the far right and the moderate everybody else. But “Mumia: Long Distance Revolutionary” is proof that there are still outspoken champions of views too radicalized to qualify as left-wing: people distrustful of law enforcement, the political system, the justice system, the news media and the very notion that America is at heart the land of the free. Getting a concentrated dose of activists like Angela Davis and Dick Gregory, academics like Cornel West and Michelle Alexander, and the many other talking heads in this film is certainly a bracing change from the usual back-and-forth of the evening news." - Neil, Genzlinger, The New York Times
"Tracing the path of a brilliant journalist whose message cannot be silenced...this passionate advocacy docu should spark debate. Part of Abu-Jamal's persuasive power flows from the specificity of his analysis of black history and his ability to see the struggle for freedom in larger, nonexclusive terms. Vittoria closely follows the government's desperate efforts to silence Abu-Jamal...[and] triumphantly heralds his return to the political scene as a rallying cry for an alternate political discourse joyously shared by the film's community of interviewees." -Ronnie Scheib, Variety
"The film is part biography, part commentary... and part drama. ("Mumia") is a film that provokes and entertains." - Counterpunch
"Passionate, partisan, and persuasive! A compelling documentary about a riveting historical figure, with a who’s who of storytellers woven by Vittoria into coherent narrative, with each one playing a brilliantly cast role: their own. It retells a history that is almost unbelievable if one did not experience it firsthand." -Eric Mann, War Resister's League
"Puts a human face on its subject, for so long now just an anti-capital-punishment icon… also makes the case, COINTELPRO and beyond, that power is hardly to be trusted in America." - Michael Atkinson, Time Out NY
"Juicy, visual…Vittoria does a fine job setting the stage and dissecting racial tensions in Philadelphia." - New York Daily News
<http://criterioncast.com/reviews/joshua-reviews-long-distance-revolutionary/>"Mumia: Long Distance Revolutionary is one of the early part of this year’s crowning gems... And it’s as great a film as we’ve seen now a month into 2013."
-Joshua Brunsting, Criterion Cast
"! Doesn’t seek so much to clear the controversial figure’s name as to showcase his intellect and longstanding defiance of ‘The Establishment’." - Kam Williams, Philadelphia Sunday
"Vittoria constructs a powerful narrative of Abu-Jamal’s life and career as a journalist and social critic." - Jay Cassano, Inter Press Service
"Uncompromising, disturbing…Abu-Jamal’s voice has the clarity and candor of a man whose impending death emboldens him to say what is on his mind without fear of consequence." - The Boston Globe
"Vittoria tells of an exceptional black Philly kid growing up in the days when police chief Frank Rizzo was attempting to beat the civil rights movement back with 1,000 nightsticks. (The film) sets Mumia the statue aglow." -The Village Voice
"Did Abu-Jamal really kill the officer, or was he railroaded because of his activism and ties to the Black Panthers? 'Mumia' raises issues of racism in America (flashback to George Wallace) that are worthy of discussion." -V.A. Musetto, New York Post
"Tells the story of a man who expresses deep compassion and public-mindedness, despite existing in Hellish conditions." -Yolande Brener, Harlem World
"Fascinating and persuasive. Vittoria creates a context that suggests how easily innocents could be railroaded. The result is not unlike Oliver Stone’s rewrite of U.S. history."
- John Hartl, Seattle Times
"Study of the civil rights era tends to end with the assassination of Dr. Martin Luther King, Jr. ‘Mumia’ is fascinating because it covers the overlooked time period -- the late sixties through the seventies -- by examining race relations within the northern city of Philadelphia, a place not popularly associated with racial injustice." - Alicia Fox, Student Handouts
"Mumia” is a vital documentary." - Wolf Entertainment Guide
"Vittoria creates a tantalizing tension... (Mumia) has a prophet's insight into our nation's racial and judicial ills... he's clearly a singular intellect and writer." - Seattle Weekly
Funmi Tofowomo Okelola
--The art of living and impermanence.
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USA Africa Dialogue Series - RE: curricula about ancient Africa?: REPLY
I have not fully followed this discussion, don't know how it started, and the trajectory it has taken. You may consider my intervention as an unusual intrusive quibble, based solely on the quotation below, which from my considered standpoint, should have been carefully nuanced and generously problematized. You write:
"Also those people like Molefi Keti Asante and the late Asa Hilliard who
are considered to be scholars and have held high positions in academia
have written about African history but are not trained historians. Thus
they present views that totally ignore the existing scholarship in the
field as Konadu stated earlier. Scholarship must engage the existing
work in the field." (Douglas Thomas)
You are right in so many ways, but does it mean that only those with PhDs in history must write African history? However defined the methodological rigor that informs the works of Molefi Asante and Asa Hilliard have forced "trained" historians to rethink African and African Diaspora histories. Kwame Arhin, perhaps the best Ghanaian "historian" of Ghana, in my view not Adu Boahen, trained as an anthropologist and a sociologist. Sadly, your cocky certainty that only trained historians should write African history, your reason for dismissing the works of Molefi Asante and Asa Hilliard, collapses on itself: you state that "For West African History, I use West Africa by Mendonsa which is an anthropology book but it works well for me."
Let us forget the narrow, if not your reductionist, take on "untrained" historians who fail to consider historiographies – "existing works in the field" - and focus on narratives of oral historians who make no references to "existing works in the field." Does it mean that African history is genuine and acceptable only when it is packaged in writing by "trained" historians who build on extant historiographies? I thought that the works of Jan Vansina, David Henige, etc. long ago fruitfully intervened on behalf of oral historians. As an example, some of the most comprehensive histories of pre/colonial Akans of Ghana are not found in archives and books. In fact, local "palace" officials and other knowledgeable constituencies have more detailed accounts and better perspectives on Akan histories than what passes as histories in books minted by "trained" historians who rely for the most part on jaundiced "Western" sources.
In sum, most historians of Africa cobble hegemonic narratives of organized chaos memorialized in the reports of colonial officials and Christian missionaries as the authentic African history. This is where and how the works of Molefi Asante and Asa Hilliard can help in assessing the weight of historical moments in Africa. I wonder why you did not mention Henry Louis Gates, the worst "untrained" historian of Africa and its Diasporas, who retails barber-shop ruminations as African history and the history of the Atlantic slave trade, and who is held in high esteem by the Western academy, the very watershed and vendors of Eurocentric-laden slabs of African history.
Absolutely, "untrained" historians lack the firm utilitarian grip that the historian's craft has on "trained" historians. Then again, African history has become a vulnerable field open to "specialists" of all kinds: I have seen media people on TV, who specialize in and chase after tornadoes and hurricanes in the USA, discuss African history as if Africa is a sum total of the indecipherable lines in their clenched fists that poise and push hegemonic epistemologies.
Kwabena Akurang-Parry
Shippensburg University & University of Cape Coast
kaparr@ship.edu
________________________________________
From: H-Net Discussion List on History and Study of West Africa [H-WEST-AFRICA@H-NET.MSU.EDU] on behalf of Becker Charles Centre d'etudes africaines [beckerleschar@ORANGE.SN]
Sent: Wednesday, February 27, 2013 6:41 PM
To: H-WEST-AFRICA@H-NET.MSU.EDU
Subject: Re: curricula about ancient Africa?: REPLY
Date: Wed, 27 Feb 2013 07:11:37 -0600
X-Posted from H-NET Discussion List for African American Studies
<H-AFRO-AM@H-NET.MSU.EDU>
From: Abdul Alkalimat <mcworter@ILLINOIS.EDU>
_____________
REPLY
From: thomasd@gram.edu
Ms Woods:
My labeling of pseudo-scholars as two-bit hustlers and pimps should not
bother you unless you fit the bill. I am referring specifically to
those who have hijacked Afro-centric scholarship to serve as a conduit
for their nefarious revenue-generating schemes and/or to boost their
suffering egos. I don't know you ma'am so I'm not in the position to
say one way or the other about you.
In reference to your neat little history lesson, I think it is needful
to be mindful of the battle that was fought to bring serious
intellectual inquiry to Africa and the life of Africans and the African
Diaspora. However, that doesn't erase the fact that there are those who
make a total mockery of scholarly work and insult me, my work, and the
entire academy. They don't seek to teach or learn facts, but to
promulgate beliefs. This is repugnant and absolutely disgusting.
Also those people like Molefi Keti Asante and the late Asa Hilliard who
are considered to be scholars and have held high positions in academia
have written about African history but are not trained historians. Thus
they present views that totally ignore the existing scholarship in the
field as Konadu stated earlier. Scholarship must engage the existing
work in the field.
Now back to the original question in this thread, I use Africa in World
History by Gilbert and Reynolds in my African History survey courses.
For my East African History class I use Maxon's East Africa and
supplement it with readings from the Horn of Africa. For West African
History, I use West Africa by Mendonsa which is an anthropology book but
it works well for me. I also supplement all classes with movies and
Keim's Mistaking Africa.
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USA Africa Dialogue Series - FW: Pambazuka News 618: Special Issue: Western Sahara - Africa's last colony revisited
PAMBAZUKA NEWS 618: SPECIAL ISSUE: WESTERN SAHARA - AFRICA'S LAST COLONY REVISITED
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Pambazuka News (English edition): ISSN 1753-6839
CONTENTS: 1. Features
/\/\//\/\/\//\/\/\//\/\/\//\/\/\//\/\/\//\/\/\//\/\/\//\/\/\//\
1 Features
WESTERN SAHARA OCCUPIED, AFRICA RE-COLONISED Malainin Lakhal
In introducing this second special issue on the occupied Western Sahara in Pambazuka News, Malainin Lakhal argues that it is 'a subject that should concern all Africans, and all actors who know that Africa can never rise up as a Union or as a future power unless it jointly struggles for its freedom from poverty, ignorance, re-colonisation, foreign exploitation, internal rivalry, and lack of communication between all its peoples and elite.'
http://www.pambazuka.org/en/category/features/86408
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AFRICA'S LONGEST AND MOST FORGOTTEN TERRITORIAL CONFLICT Aluat Hamudi
Despite wide international recognition, Western Sahara still remains under occupation because of a complex web of geopolitical and strategic interests of neighbouring countries and their Western allies
http://www.pambazuka.org/en/category/features/86426
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OAU/AU AND THE QUESTION OF WESTERN SAHARA Sidi M. Omar
The continental body, which admitted Western Sahara to its membership in 1982, has consistently defended the right of the Saharawi people to self-determination and independence. But Morocco has always proved to be cunning.
http://www.pambazuka.org/en/category/features/86402
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THE QUESTION OF WESTERN SAHARA: FROM IMPASSE TO INDEPENDENCE Pedro Pinto Leite and Jeffrey J. Smith
There is little hope for a genuine referendum on self-determination for the Sahrawi people. Their international supporters and the UN General Assembly should now work towards universal recognition and acceptance of the statehood of Western Sahara.
http://www.pambazuka.org/en/category/features/86407
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PUBLIC DIPLOMACY AND GENDER MAINSTREAMING An ethnographic exploration of Saharawi informal representation in Italy Sonia Rossetti
The Saharawi case represents a unique example of women's inclusion in state-building for an Islamic government-in-exile.
http://www.pambazuka.org/en/category/features/86425
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ANOTHER MOROCCAN 'COUP DE THÉÂTRE'
Konstantina Isidoros
The latest trial has yet again stunned the world with regard to Morocco's persistent audacity to blatantly defy international law, digging itself deeper into a geo-politically embarrassing legal ditch of its own making.
http://www.pambazuka.org/en/category/features/86412
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LETTER TO UN SECURITY COUNCIL
Suzanne Scholte
In this letter to the President of the UN Security Council, Seoul Peace Prize Laureate Suzanne Scholte urges the Council to prevail upon the King of Morocco to overturn the draconian sentences recently handed down to 24 Sahrawi activists
http://www.pambazuka.org/en/category/features/86422
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THE EU-MOROCCO FISHERIES AGREEMENT
POLISARIO brings an action against EU's plunder before the European Court of Justice Joanna Allan
Morocco is working in cahoots with the European Union to pillage Western Sahara's fish despite opposition from the European people. The plunder is a crime under international law.
http://www.pambazuka.org/en/category/features/86410
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HUMAN RIGHTS MONITORING IN WESTERN SAHARA Thomas O'Bryan
There are horrendous human rights violations in Western Sahara perpetrated by agents of the Moroccan authorities. But the UN mission has neither mandate nor capacity to monitor and document the violations.
http://www.pambazuka.org/en/category/features/86409
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DEMOCRATIC EXPERIMENTS IN DISPUTED NATION Alice Wilson
When refugees turn out to vote, and when they raise their voices, in participatory meetings or in their homes, to criticise their government, they show how much they value the possibility for democratic participation.
http://www.pambazuka.org/en/category/features/86411
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A LAWYER'S TESTIMONY TO THE UN
Comments of Katlyn Thomas before the Special Political and Decolonization Committee of the United Nations General Assembly, October 2012
'After examining every available legal argument to support Morocco's presence in the territory we have come to the conclusion that Morocco cannot claim a legal right to the territory on the basis of any historic relationship it had with the territory prior to its colonization by Spain.'
http://www.pambazuka.org/en/category/features/86404
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THE DESPERATE FISHERMEN
Khalil Asmar
This short narrative of the diminishing optimism of several Saharawi fishermen casting their rods in the seas of the Western Sahara illustrates how the Moroccan authorities and EU fishing agreements have pillaged the seas and denied these fishermen not only hope but a livelihood
http://www.pambazuka.org/en/category/features/86418
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THE VALIANT FISHERMAN
Khalil Asmar
In this interview with Mohammed El Baykam, a fisherman and the spokesman of the fisheries association in Dakhla, Western Sahara, his uncompromising determination to expose the plunder of European Union trawlers and those of the Moroccan authorities shows how his resistance has denied him gainful employment
http://www.pambazuka.org/en/category/features/86421
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WAITING FOR 'ISTIFTAH'
Self-determination and independence of our homeland Fatimetu
Reflecting on her life as a refugee in the Tindouf camps Fatimetu contemplates how the Saharawi people are wholly dependent on humanitarian aid whilst Morocco exploits the wealth of the Western Sahara. For all Saharawis it is an independent homeland that they seek.
http://www.pambazuka.org/en/category/features/86419
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THREE STORIES
Senia Bachir Abderahman
In this personal account refugee Senia Bachir Abderahman reflects on her own educational sojourn in Algeria and Norway, the cultural beauty of the El-melhfa fabric as well as those Cubaraui who left their homeland to study in Cuba and returned with considerable skills to help the Saharawis in their struggle for freedom
http://www.pambazuka.org/en/category/features/86420
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DO YOU HAVE ANY IDEA WHAT IS 'HOMELAND' FOR A REFUGEE?
Asria Mohamed Taleb
Many people may take for granted being the citizen of a free, sovereign nation. But for someone who was born in a refugee camp and has only heard about her occupied homeland, the question of citizenship stirs up very strong feelings.
http://www.pambazuka.org/en/category/features/86416
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THE LIFE OF A SAHARAWI STUDENT
Mohamed Brahim
The Moroccan regime goes into appalling lengths to dehumanize Saharawi school children, even promoting drug use among them to break their resistance. But many of the children are increasingly politically conscious
http://www.pambazuka.org/en/category/features/86403
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MY STRUGGLE TO GET A GOOD EDUCATION
Agaila Abba Hemieda
Education is every child's right. But for Saharawi children, getting an education may require making tremendous sacrifices, including prolonged separation from family and loss of culture and language.
http://www.pambazuka.org/en/category/features/86417
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A VIOLENCE THAT GOES UNNAMED
Vivian Solana
The conflict in the Western Sahara is inadequately represented by terms such as 'stagnated', 'frozen' and 'locked', which contribute to obscure the reality that this conflict represents the continuation of French, US and Spanish colonial practices in Africa.
http://www.pambazuka.org/en/category/features/86424
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HOPING FOR A UN SPRING
Salah Mohamed
Blatant violence against peacefully protesting Saharawis, official propaganda that misrepresents the situation in the occupied territory and blockage of independent external observers are just a few of the many dirty tactics employed by Morocco in Western Sahara. How long will this be allowed to go on?
http://www.pambazuka.org/en/category/features/86413
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SAHARAWI MUSIC AND ITS ROLE IN THE INDEPENDENCE STRUGGLE Violeta Ruano
Music and poetry have been key elements in Saharawi culture since nomadic times, when they were efficient ways of transmitting news and stories, providing entertainment and establishing links among the tribes. After Spain abandoned Western Sahara and Morocco and Mauritania invaded the territory in 1975, music became the voice of the revolution. It played an essential role in the formation and establishment of the new Saharawi Republic and the reshaping of the society. Music, thus, was used by the Saharawis to foster social change.
http://www.pambazuka.org/en/category/features/86406
******
STUDIO-LIVE: EMPOWERING SAHARAWI VOICES THROUGH MUSIC Danielle Smith
Setting up a music project in the Saharawi refugee camps in south-west Algeria may not seem to some an obvious priority for a population that relies largely on humanitarian aid for its survival. Yet that is precisely what London-based arts and human rights charity Sandblast has been hard at work doing since early 2010.
http://www.pambazuka.org/en/category/features/86423
******
USING CULTURE AS COVER AFTER PLUNDERING RESOURCES Said Zeroual and Rugaibi Abdullah Mohammed Sheikh
Morocco, which militarily controls Western Sahara since its occupation in 1975, is trying to present a false image of the situation in Western Sahara, taking advantage of the military siege and the media blockade imposed on the region.
http://www.pambazuka.org/en/category/features/86414
******
BOOK REVIEW OF 'WESTERN SAHARA: THE REFUGEE NATION'
By Pablo San Martín. Iberian and Latin American Studies. Cardiff:
University of Wales Press, 2010.
Anthony G. Pazzanita
The book gives a credible history and analysis of the ways in which the Sahrawis, from Spanish colonial times to the present, have come to see themselves and have coped with the often-wrenching changes to their environment
http://www.pambazuka.org/en/category/features/86415
******
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Re: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
Hopefully you haven't missed this:
http://www.democracynow.org/2013/2/28/after_40_years_in_solitary_in
Whilst Mwalimu Osagyefo Bangura would like to see Mumia breathing the
free air around Tom Paine,what about humbly beseeching Brother Obama
on behalf of Brother Jonathan Pollard?
http://www.google.co.uk/#hl=en&sugexp=les%3B&gs_rn=5&gs_ri=psy-ab&cp=16&gs_id=7&xhr=t&q=Jonathan+Pollard&es_nrs=true&pf=p&output=search&sclient=psy-ab&oq=Jonathan+Pollard&gs_l=&pbx=1&bav=on.2,or.r_gc.r_pw.r_qf.&bvm=bv.43148975,d.bGE&fp=a6674baedcbf35ae&biw=1024&bih=610
On Feb 28, 5:26 am, Abdul Karim Bangura <th...@earthlink.net> wrote:
> And watch Obama leave office without pardoning him!http://www.firstrunfeatures.com/trailers_mumia.html
>
>
>
>
>
>
>
>
>
>
>
>
>
> Before he was convicted of murdering a policeman in 1981 and sentenced to die, Mumia Abu-Jamal was a gifted journalist and brilliant writer. Now after more than 30 years in prison and despite attempts to silence him, Mumia is not only still alive but continuing to report, educate, provoke and inspire.
>
> Stephen Vittoria's new feature documentary is an inspiring portrait of a man whom many consider America's most famous political prisoner - a man whose existence tests our beliefs about freedom of expression. Through prison interviews, archival footage, and dramatic readings, and aided by a potent chorus of voices including Cornel West, Alice Walker, Dick Gregory, Angela Davis, Amy Goodman and others, this riveting film explores Mumia's life before, during and after Death Row - revealing, in the words of Angela Davis, "the most eloquent and most powerful opponent of the death penalty in the world...the 21st Century Frederick Douglass."
>
>
>
> STEPHEN VITTORIA, Writer/Director/ Producer/Editor
>
> Mumia: Long Distance Revolutionary is Stephen Vittoria's current documentary and it opens in theatres this fall. His last film, One Bright Shining Moment: The Forgotten Summer of George McGovern won top honors at the Sarasota Film Festival as "Best Documentary Feature" and was released nationwide by First Run Features. In 1987, Vittoria wrote, directed, and edited his first film, the dramatic feature Black & White, starring Kim Delgado and Frank Vincent – a story about racism set against the backdrop of post-World War II America. In 1995, Vittoria produced, wrote, and directed Hollywood Boulevard, starring John C. McGinley, Jon Tenney, and Julianne Phillips – a dark and satirical look at the motion picture business.
>
> In 1998, Vittoria wrote, directed, and edited the six-hour health documentary Save Your Life – The Life and Holistic Times of Dr. Richard Schulze, and then in 2005 he wrote, directed, and edited the television documentary Keeper of the Flame with journalist Linda Ellerbee and actor Wilford Brimley – a film that deals with the current ecological crisis facing American forests.
>
> Recently, Vittoria was a producer on two feature documentaries by Academy Award winner Alex Gibney:Gonzo: The Life & Work of Dr. Hunter S. Thompson and Magic Trip. Vittoria is the founder and creative director of two Southern California production companies – Street Legal Cinema and Deep Image. One day, Steve hopes to play centerfield for the New York Yankees. He lives in Los Angeles (under protest).
>
>
>
> Praise for Stephen Vittoria's MUMIA: Long Distance Revolutionary
>
>
>
> "Coverage of public discourse in the United States often makes it seem as if the only ideologies still in the game were the far right and the moderate everybody else. But "Mumia: Long Distance Revolutionary" is proof that there are still outspoken champions of views too radicalized to qualify as left-wing: people distrustful of law enforcement, the political system, the justice system, the news media and the very notion that America is at heart the land of the free. Getting a concentrated dose of activists like Angela Davis and Dick Gregory, academics like Cornel West and Michelle Alexander, and the many other talking heads in this film is certainly a bracing change from the usual back-and-forth of the evening news." - Neil, Genzlinger, The New York Times
>
> "Tracing the path of a brilliant journalist whose message cannot be silenced...this passionate advocacy docu should spark debate. Part of Abu-Jamal's persuasive power flows from the specificity of his analysis of black history and his ability to see the struggle for freedom in larger, nonexclusive terms. Vittoria closely follows the government's desperate efforts to silence Abu-Jamal...[and] triumphantly heralds his return to the political scene as a rallying cry for an alternate political discourse joyously shared by the film's community of interviewees." -Ronnie Scheib, Variety
>
> "The film is part biography, part commentary... and part drama. ("Mumia") is a film that provokes and entertains." - Counterpunch
>
> "Passionate, partisan, and persuasive! A compelling documentary about a riveting historical figure, with a who's who of storytellers woven by Vittoria into coherent narrative, with each one playing a brilliantly cast role: their own. It retells a history that is almost unbelievable if one did not experience it firsthand." -Eric Mann, War Resister's League
>
> "Puts a human face on its subject, for so long now just an anti-capital-punishment icon… also makes the case, COINTELPRO and beyond, that power is hardly to be trusted in America." - Michael Atkinson, Time Out NY
>
> "Juicy, visual…Vittoria does a fine job setting the stage and dissecting racial tensions in Philadelphia." - New York Daily News
>
> "Mumia: Long Distance Revolutionary is one of the early part of this year's crowning gems... And it's as great a film as we've seen now a month into 2013."
> -Joshua Brunsting, Criterion Cast
>
> "! Doesn't seek so much to clear the controversial figure's name as to showcase his...
>
> read more »
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Re: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
I almost regret my intervention here, because you know what, minds are made up about Mumia, that is the lunatic brilliance of that manipulative man. You can read stuff like this. Why Mumia is Guilty and it still doesn't matter because a lunatic fringe in the deep left sees this dude as their poster child. People make mistakes, he made a mistake as a young man, he will not admit it. I would respect him a lot more if he as much as acknowledged that he did something wrong.
A pox on all his houses. I don't really do singletons, my mind is on the thousands of beautiful brown people, children, that are hunted down, shackled and frog-marched into the prison-industrial complex. Our black intellectuals including Obama are too busy being middle class and elite to worry about that. Mumia does not rock my boat.
From: "Emeagwali, Gloria (History)" <emeagwali@mail.ccsu.edu>
To: "usaafricadialogue@googlegroups.com" <usaafricadialogue@googlegroups.com>
Sent: Thursday, February 28, 2013 11:44 AM
Subject: RE: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
'Obama could care less about structural changes to the judicial system that would stop hunting down our children like prey. THAT is what we should be advocating for,
not for the wretched life of a sniveling coward.' Ikhide
Ikhide, Mumia is by no means a coward. He is one of the most valiant fighters of the post
civil rights era. Have you listened to his speeches?
You are right about the need for structural changes in the judicial system, though..
Professor Gloria Emeagwali
Documentaries on Africa and the African Diaspora
www.vimeo.com<http://www.vimeo.com/>
________________________________
From: usaafricadialogue@googlegroups.com [usaafricadialogue@googlegroups.com] On Behalf Of Ikhide [xokigbo@yahoo.com]
Sent: Thursday, February 28, 2013 9:04 AM
To: usaafricadialogue@googlegroups.com
Subject: Re: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
It would be a travesty of justice if anyone pardons Mumia or whatever that cowardly thug's name is. He was convicted of killing someone in uniform. He refuses to man up and accept personal responsibility. He games the system blatantly, plays the liberal left like a violin and now we have to watch a movie about him? I am sure he has free wi-fi in prison!
Here, we have African intellectuals crying up a storm about ONE man who is living in the laps of luxury in a pretend-prison for killing a police officer. They will not say a word for the hell-holes that are prisons in Black Africa (Kirikiri, Oko ita, etc). No, that is not sexy enough, let the BBC go to the slums of Makoko to film a living hell, out come their pens wailing racism - at the BBC. You can't win.
Who cares about Mumia when the prisons of America are warehouses for brown people? Thanks to clinton era discriminatory drug sentencing brown children have filled hell-holes like Angola prison, no one does anything about that. Obama could care less about structural changes to the judicial system that would stop hunting down our children like prey. THAT is what we should be advocating for, not for the wretched life of a sniveling coward.
- Ikhide
- Ikhide
Stalk my blog at http://www.xokigbo.com/
Follow me on Twitter: @ikhide
Join me on Facebook: www.facebook.com/ikhide<http://www.facebook.com/ikhide>
From: Abdul Karim Bangura <theai@earthlink.net>
To: usaafricadialogue@googlegroups.com; Funmi Tofowomo Okelola <cafeafricana1@aol.com>
Cc: leonenet <leonenet@lists.umbc.edu>
Sent: Wednesday, February 27, 2013 11:26 PM
Subject: Re: USA Africa Dialogue Series - MUMIA: Long Distance Revolutionary
And watch Obama leave office without pardoning him!
http://www.firstrunfeatures.com/trailers_mumia.html
Before he was convicted of murdering a policeman in 1981 and sentenced to die, Mumia Abu-Jamal was a gifted journalist and brilliant writer. Now after more than 30 years in prison and despite attempts to silence him, Mumia is not only still alive but continuing to report, educate, provoke and inspire.
Stephen Vittoria's new feature documentary is an inspiring portrait of a man whom many consider America's most famous political prisoner - a man whose existence tests our beliefs about freedom of expression. Through prison interviews, archival footage, and dramatic readings, and aided by a potent chorus of voices including Cornel West, Alice Walker, Dick Gregory, Angela Davis, Amy Goodman and others, this riveting film explores Mumia's life before, during and after Death Row - revealing, in the words of Angela Davis, "the most eloquent and most powerful opponent of the death penalty in the world...the 21st Century Frederick Douglass."
STEPHEN VITTORIA, Writer/Director/ Producer/Editor
Mumia: Long Distance Revolutionary is Stephen Vittoria's current documentary and it opens in theatres this fall. His last film, One Bright Shining Moment: The Forgotten Summer of George McGovern won top honors at the Sarasota Film Festival as "Best Documentary Feature" and was released nationwide by First Run Features. In 1987, Vittoria wrote, directed, and edited his first film, the dramatic feature Black & White, starring Kim Delgado and Frank Vincent – a story about racism set against the backdrop of post-World War II America. In 1995, Vittoria produced, wrote, and directed Hollywood Boulevard, starring John C. McGinley, Jon Tenney, and Julianne Phillips – a dark and satirical look at the motion picture business.
In 1998, Vittoria wrote, directed, and edited the six-hour health documentary Save Your Life – The Life and Holistic Times of Dr. Richard Schulze, and then in 2005 he wrote, directed, and edited the television documentary Keeper of the Flame with journalist Linda Ellerbee and actor Wilford Brimley – a film that deals with the current ecological crisis facing American forests.
Recently, Vittoria was a producer on two feature documentaries by Academy Award winner Alex Gibney:Gonzo: The Life & Work of Dr. Hunter S. Thompson and Magic Trip. Vittoria is the founder and creative director of two Southern California production companies – Street Legal Cinema and Deep Image. One day, Steve hopes to play centerfield for the New York Yankees. He lives in Los Angeles (under protest).
Praise for Stephen Vittoria's MUMIA: Long Distance Revolutionary
"Coverage of public discourse in the United States often makes it seem as if the only ideologies still in the game were the far right and the moderate everybody else. But "Mumia: Long Distance Revolutionary" is proof that there are still outspoken champions of views too radicalized to qualify as left-wing: people distrustful of law enforcement, the political system, the justice system, the news media and the very notion that America is at heart the land of the free. Getting a concentrated dose of activists like Angela Davis and Dick Gregory, academics like Cornel West and Michelle Alexander, and the many other talking heads in this film is certainly a bracing change from the usual back-and-forth of the evening news." - Neil, Genzlinger, The New York Times
"Tracing the path of a brilliant journalist whose message cannot be silenced...this passionate advocacy docu should spark debate. Part of Abu-Jamal's persuasive power flows from the specificity of his analysis of black history and his ability to see the struggle for freedom in larger, nonexclusive terms. Vittoria closely follows the government's desperate efforts to silence Abu-Jamal...[and] triumphantly heralds his return to the political scene as a rallying cry for an alternate political discourse joyously shared by the film's community of interviewees." -Ronnie Scheib, Variety
"The film is part biography, part commentary... and part drama. ("Mumia") is a film that provokes and entertains." - Counterpunch
"Passionate, partisan, and persuasive! A compelling documentary about a riveting historical figure, with a who's who of storytellers woven by Vittoria into coherent narrative, with each one playing a brilliantly cast role: their own. It retells a history that is almost unbelievable if one did not experience it firsthand." -Eric Mann, War Resister's League
"Puts a human face on its subject, for so long now just an anti-capital-punishment icon… also makes the case, COINTELPRO and beyond, that power is hardly to be trusted in America." - Michael Atkinson, Time Out NY
"Juicy, visual…Vittoria does a fine job setting the stage and dissecting racial tensions in Philadelphia." - New York Daily News
<http://criterioncast.com/reviews/joshua-reviews-long-distance-revolutionary/>"Mumia: Long Distance Revolutionary is one of the early part of this year's crowning gems... And it's as great a film as we've seen now a month into 2013."
-Joshua Brunsting, Criterion Cast
"! Doesn't seek so much to clear the controversial figure's name as to showcase his intellect and longstanding defiance of 'The Establishment'." - Kam Williams, Philadelphia Sunday
"Vittoria constructs a powerful narrative of Abu-Jamal's life and career as a journalist and social critic." - Jay Cassano, Inter Press Service
"Uncompromising, disturbing…Abu-Jamal's voice has the clarity and candor of a man whose impending death emboldens him to say what is on his mind without fear of consequence." - The Boston Globe
"Vittoria tells of an exceptional black Philly kid growing up in the days when police chief Frank Rizzo was attempting to beat the civil rights movement back with 1,000 nightsticks. (The film) sets Mumia the statue aglow." -The Village Voice
"Did Abu-Jamal really kill the officer, or was he railroaded because of his activism and ties to the Black Panthers? 'Mumia' raises issues of racism in America (flashback to George Wallace) that are worthy of discussion." -V.A. Musetto, New York Post
"Tells the story of a man who expresses deep compassion and public-mindedness, despite existing in Hellish conditions." -Yolande Brener, Harlem World
"Fascinating and persuasive. Vittoria creates a context that suggests how easily innocents could be railroaded. The result is not unlike Oliver Stone's rewrite of U.S. history."
- John Hartl, Seattle Times
"Study of the civil rights era tends to end with the assassination of Dr. Martin Luther King, Jr. 'Mumia' is fascinating because it covers the overlooked time period -- the late sixties through the seventies -- by examining race relations within the northern city of Philadelphia, a place not popularly associated with racial injustice." - Alicia Fox, Student Handouts
"Mumia" is a vital documentary." - Wolf Entertainment Guide
"Vittoria creates a tantalizing tension... (Mumia) has a prophet's insight into our nation's racial and judicial ills... he's clearly a singular intellect and writer." - Seattle Weekly
Funmi Tofowomo Okelola
--The art of living and impermanence.
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