These prizes and awards—Masters, Oscars, tennis Opens, Nobel prizes, etc—and endorsements of artistic, sport, scholarly or academic production dominated by the US and the West, clearly wield tremendous power. The mystique of these awards is such that they easily dictate what and how knowledge production should be engaged in by those who hope to contest for these prestigious prizes. The global academe (structured after and dominated by the West) defer to them and consider them the pinnacle of achievement. But this is one way that they fulfill a less positive, probably inadvertent, gatekeeping function; they limit or delimit and increasingly give themselves the right (hegemonically) to determine, evaluate, accept, reject, condemn, and control what is being done, what should be done, and what can be done by other people in the world by means of the parameters they set and the narrow non-globally representative nature of their judges.
For me, the uproar over the rejection of Nigeria's Lionheart raises questions that need more discussion; about control over knowledge and artistic production; about parameters used to attribute value to these productions; about how inclusive they are, and whose interests they do represent or serve the most and do not serve at all or serve the least.
it raises for me also questions about the positive impact on and for the endorsing societies and organizations of their development and reinforcement of the knowledge and gatekeeping hegemony that they are thereby able to maintain over the determination of the worth of knowledge production.
it highlights for me the need for other such poles of endorsement to emerge including in Africa, based on parameters determined by Africans for the purposes that serve more directly African needs and that meet the criteria of African authenticity (or any other locally determined criteria)
Today Rugby, tennis and golf prizes are more globally spread out (though African tournaments seem to not feature in these contests) and American and European competitors are having to compete for Indian, Chinese, Russian & Japanese prizes. The creation of these more globally diverse nd multiple prize and endorsement centres, at least in principle, forecloses the hegemony of only one or a few like – the Masters – base in the US or any other one Western location. Of course, depending on the extent to which they are independent of the global international bodies dominated by the interests and parameter derived from the most powerful Western nations.
Given the market strength of Bollywood and Nnoliwood, Nigeria or more generally Africa, and India should create alternate prizes that can compete with the Oscar. They will then be able to subject entries from the West and from the East and from everywhere to their own evaluation parameters. This will democratize the playing field and facilitate and promote authenticity that is not based on foreign determinations. Other than this or other rectifying strategies, it seems to me like Africa is simply accepting reverse ghettoization in the name of globalization.
Regarding the use or non-use of English; the call to abandon the use of English language was more an exercise in politics of protest rather than being a pragmatic demand. But mother-tongue experts would most likely have a number of issues with Farooq's response that seemingly consigns the whole world to resign to the mandatory use of the English language until the American imperium passes. While English is still the most widely spoken language globally, Chinese remains the single language spoken and written by most people in the world and China continues to propagate every aspect of scientific, humanistic and artistic knowledge in that language. However, China continues to learn other languages too, enhancing its competitiveness, but without losing its local language nor the possibility of that language spreading all over the world in the future. I cannot support jettisoning English language, if only because it has assumed a hegemonic position in Nigeria and in most of Africa as Farooq indicates, but one can certainly encourage a strategic promotion and development of competency in indigenous language use such that over one or two generations, one or two Nigerian languages could supplement English or French in local knowledge production in Nigeria.
Whether it is the Oscars or the use or non-use of a foreign language, I believe that Nigerians and, especially the larger congress of Africa, do have some agency and should strategically plan and deploy this in ways that ensure that their specific needs and interests are more equitably reflected in the so-called global prizes, processes, and institutions.
Sent: Saturday, November 9, 2019 12:19 AM
To: USAAfrica Dialogue <usaafricadialogue@googlegroups.com>
Subject: USA Africa Dialogue Series - Lionheart's Oscar Rejection and Place of English in Nigerian Identity
Saturday, November 9, 2019
Lionheart's Oscar Rejection and Place of English in Nigerian Identity
School of Communication & Media
Kennesaw State University
Cell: (+1) 404-573-9697
Personal website: www.farooqkperogi.com
"The nice thing about pessimism is that you are constantly being either proven right or pleasantly surprised." G. F. Will
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