Friday, November 2, 2012

USA Africa Dialogue Series - CONFERENCE OF YORUBA FILMS

FIRST INTERNATIONAL CONFERENCE OF YORUBA FILMS

The development of the film enterprise in Nigeria cannot be complete without stating the fact that the Yoruba were among the front runners in its development. With the shifting of emphasis from the Colonial Film Unit to Nigerian Film Corporation, the fact remains that some Yoruba, the likes of Alade Aromire and Adebayo Salami broke the monopoly of film making from the celluloid stock to video technology with the introduction of the Structural Adjustment Programme. Many film artists rose after this experience, just as more opportunities were opened for young talents. This however, is after Chief Hubert Ogunde, Ola Balogun, Moses Ola-iya, Ademola Afolayan, Ojeleke Ajangila (the masquerade drama guru) and a host of other leading Yoruba artists have opened up great opportunities through their ventures in celluloid films and their theatricality. With the setting up of the Nigerian Film Corporation, post production that was always done in London was shifted to Nigeria.  It will not be outrageous to say that the Yoruba opened up the technological investment opportunities the genre can offer in Nigeria, though they may not be seen as defining the genre outside the shores of Nigeria.

Attempts therefore need to be made to explore some unique features of Yoruba films and compare it with what obtains within and outside Africa. Thus, it is important to give real and specific academic attentions to it because of the latest modern developments of identity accolades. This is necessary, because while some other Nigerian groups have readily keyed into the wood identity, and some have suggested Oduwood from the Oduduwa progenitor, the Yoruba film makers would rather prefer to be classified under the Association of Nigeria Theatre Artists Practitioners, (ANTP) and their productions simply identified as YORUBA FILMS or Naija Films (Ogunleye 2012). Thus, because no world acclaimed identity has been created for it, Yoruba films have had to grudgingly feature under the Nollywood identity, and thereby had to play the second fiddle.

This is why the Mass Communication Department of Adeleke University Ede, Nigeria is inaugurating a yearly International conference on Yoruba Films, with the intent of not only opening up research into the genre, but restoring the lost glories and identity created by the pioneering Yoruba Film makers, but also an avenue to showcase Yoruba films, promote upcoming artists, and open a library for Yoruba films in the University.

This conference is therefore organised for academics of Yoruba and non-Yoruba extractions, within and outside Nigeria to present scholarly papers and, Yoruba movie artists and producers to showcase their films.

Theme: Yoruba Movies: Creating Indelible Authentic Identity

Sub-theme: Abstracts are invited from any of the sub-themes below:

1.    Theatre Practice from the Alarinjo, Ajangila set up to the Screen.

2.    Contributions of Yoruba doyens of modern and traditional Theatre to film developments in Nigeria.

3.    Contributions of Yoruba Movies to film development in Nigeria.

4.    Yoruba Films and global identity.

5.    Yoruba films, technology, quality, distribution and marketing.

6.     Unique features of Yoruba Films- scripting, dialogue and production acting styles.

7.     The ANTP and movie ethics and morality in Nigeria

8.    And any other relevant ideas.

Abstracts not exceeding 300 words which should contain personal and organisational details of the scholar should be sent to: yorubafilms@rocketmail.com

and copy:

ayansolamd@ymail.com

Deadline for submission of abstracts: 1st February, 2013.

Submission of full papers: February 15th, 2013.

Guest Speaker:  Prof Ayo Akinwale- Department of Theatre and Performing Arts, University of Ilorin, Kwara State Nigeria.

Royal Guests: Yoruba Obas that have been involved in Theatre practise.

Date: March 12th to 14th 2013.

Venue: Multipurpose Hall, Adeleke University, Ede Osun State Nigeria.

For more details, Yoruba movie producers and other interested scholars who wish to display their films at the conference venue can contact:

Dr. Kayode Animasaun: Head, Mass Communication Department.

Tel: +2348073787551

Margaret Ayansola: Secretary, Conference Planning Committee.

Tel: +2348136903086

 


Begin forwarded message:


Toyin Falola
Department of History
The University of Texas at Austin
104 Inner Campus Drive
Austin, TX 78712-0220
USA
512 475 7224
512 475 7222 (fax)
http://www.toyinfalola.com
www.utexas.edu/conferences/africa
http://groups.google.com/group/yorubaaffairs
http://groups.google.com/group/USAAfricaDialogue

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