I hereby invite all lovers of knowledge to my Facebook Notes for a journey reconfiguring the boundaries of knowledge.
Are you interested in the visual arts, from painting to landscape architecture?If so, you will find it fulfilling following developments in my Facebook Notes.
Why am I using Facebook?
Facebook is a particularly vigorous interactive space, within which I can compose essays as well as participate in activity in various groups and in the personal accounts of various people, thereby multiplying opportunities for gaining and sharing knowledge.
I used to distribute essays I write across various online platforms, but the increase in my productivity has left me with less time to do so.
I am posting about three to four essays a week.
Some of these essays are laying the foundations for a new academic discipline African Esotericism or developing the foundations of the embryonic discipline, Esuneutics.
The essays aspire to global scholarship, grounded in African, Asian and Western civilizations.
Their focus is on demonstrating the beauty and power of ideas through writing that combines these qualities, even when engaging with the most complex subjects and exploring or recreating the frontiers of knowledge.
You need a Facebook account to gain access to the collection of essays.
Your comments on the essays are most welcome, although you will need a Facebook account to enable you make comments.
Their focus is on demonstrating the beauty and power of ideas through writing that combines these qualities, even when engaging with the most complex subjects and exploring or recreating the frontiers of knowledge.
You dont need a Facebook account to access individual essays if you have the links to the essays, as I have provided below under "recent highlights".
You need a Facebook account to gain access to the collection of essays.
Your comments on the essays are most welcome, although you will need a Facebook account to enable you make comments.
Recent highlights
"Imagery of Water as Springboard for Conceptions of the Cosmic and the Ineffable"
"Father, Mother, Child at the Palpitating Heart of Cosmos: Abhinavagupta's Cosmological Personalisation and Abhinava Iconography"
"Gems of Trika : The Vijnanabhairava Tantra and Shaivite Art on the Transcendence of Forms to Reach the Formless"
"Tiara Harris : The Self Divinisation of an Erotic Artist"
"My Fellow Witches : Interpreting Joseph Eze"
"Booty Philosophy and Spirituality 2"
Forthcoming
"Nsibidi/Ekpuk Philosophy and Mysticism"
"Victor Ekpuk's Artistic Transposition of Nsibidi Semiotics in the Context of African and Global Esotericism" ( 4 parts) this set of essays and the immediately previous one are part of the same sequence)
"Imaginative Permutations : Religion, Philosophy, Art : Jnanagabastotra, Hymn to the Womb of Consciousness and Correlative Art"
"Abiola Irele and Negritude Aesthetics : Rhythm as a Metaphysical Principle : Transcultural and Scientific Implications"
"Nsibidi/Ekpuk Philosophy and Mysticism"
"Victor Ekpuk's Artistic Transposition of Nsibidi Semiotics in the Context of African and Global Esotericism" ( 4 parts) this set of essays and the immediately previous one are part of the same sequence)
"Imaginative Permutations : Religion, Philosophy, Art : Jnanagabastotra, Hymn to the Womb of Consciousness and Correlative Art"
"Abiola Irele and Negritude Aesthetics : Rhythm as a Metaphysical Principle : Transcultural and Scientific Implications"
and many more.
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