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From:
Bloomsbury Literary Studies <csm@bloomsburynews.com>Date: 1 March 2017 at 16:02
Subject: Literatures as World Literature: explore the series
To:
toyin.adepoju@gmail.com | Bloomsbury Literary Studies Literatures as World Literature | |
| Literatures as World Literature takes a novel approach to world literature by analyzing specific constellations—according to language, nation, form, or theme—of literary texts and authors in their world-literary dimensions. | |
| | | Danish Literature as World Literature | | Edited by Dan Ringgaard and Mads Rosendahl Thomsen | | Danish Literature as World Literature introduces key figures from 800 years of Danish literature and their impact on world literature. It includes chapters devoted to post-1945 literature on beat and systemic poetry as well as the Scandinavia noir vogue that includes both crime fiction and cinema and is enjoying worldwide popularity. | | More info » | | You may also like...Scandinavian Crime Fiction » | | | |
| | | Roberto Bolaño as World Literature | | Edited by Nicholas Birns and Juan E. De Castro | | Roberto Bolaño as World Literature provides an introduction to the Chilean novelist that highlights his connections with classic and contemporary masters of world literature and his investigation of topics of international interest, such as the rise of right wing and neofascist movements during the last decades of the 20th century. | | More info » | | | |
| | | Crime Fiction as World Literature | | Edited by Louise Nilsson, David Damrosch and Theo D'haen | | This is the first book to treat crime fiction in its full global and plurilingual dimensions, taking the genre seriously as a participant in the international sphere of world literature and examining its role in our literary heritage and consumer society. In a wide-ranging panorama of the genre, twenty critics discuss crime fiction from Bulgaria, China, Israel, Mexico, Scandinavia, Kenya, Catalonia, Tibet, and elsewhere. | | More info » | | | |
| | | German Literature as World Literature | | Edited by Thomas Oliver Beebee | | "For far too long, the only role that the German tradition has played in the flourishing discussions surrounding 'world literature' is to have given the field its name. The present volume corrects this deficit and shows how German literature interacts with the world at large. It should be required reading for anyone interested in the future of German studies in the twenty-first century!" —Tobias Boes, University of Notre Dame, USA | | More info » | | | |
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