Saturday, February 24, 2018

USA Africa Dialogue Series - Fwd: Today's PoeMeal



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Begin forwarded message:

From: Akwasi Aidoo <akwasi.aidoo@gmail.com>
Date: February 24, 2018 at 7:34:20 PM CST
To: Akwasi Aidoo <akwasi.aidoo@gmail.com>
Subject: Today's PoeMeal

Dear Friends & Colleagues,

 

Today, it's a three-course "poemeal" that will fill you up with every "vitaL-min(ute)" your soul needs to get through this second month of the year.

 

The poems are by Philip Levine and Gerry Salole.  Levine's poem comes from an old issue of New Yorker magazine, and Gerry's came as a gift a while back.

 

Gerry's poem is about the butterfly hunter, gatherer & collector in our lives who can't help it, it seems. The "social lepidopterologist" is a specialist in scaring off every shadow of beauty in us (there are quite a few now, aren't there?). How one keeps such at bay is the ticklish question the poem beautifully dances around. It's sweetly anchored in a subtle mix of concrete reality & the realm of the human spirit. The concrete and ethereal often don't go well together in unraveling the subterranean meaning of things, but here we have it all in one poem!  And it's so sensibly human. It's a quality Gerry's poem shares with Levine's.

 

And, the meal wets our appetite more, even as it fills us up. See how Levine offers it: "The wind kept prodding / at my back as though determined / to push me away from where I was, / fearful, perhaps, I would come to rest."  We always must keep exploring, for this world we call home is a never-ending chain of humanity. Notice how the mystical "man" in Levine's poem "squats down to eye level / takes my right hand delicately in his" even when there's no common language between him and the stranger?

 

The desert is, as expected, is a great song by a great duo ~~ the amazing Kenyan musician, Eric Wainaina, and the equally great Senegalese musician, Baaba Maal. The song is titled, The Road. You got to listen to it to add years to your life expectancy!

 

Now, let me stand out of your way, so you can dance or die! LOL.

 

The Lepidopterologist at Bay

by Gerry Salole

 

Its staccato form comes out of darkness

and curiously prevails,

cautiously coughing

falsely feebly humble

but silently persistently insistent

(a prima donna nonetheless)

demanding full attention

NOW!

flickering memory

and a shortness of breath

merely to remind one,

maybe t'ís overdone

this feverish, frenzied, random

leaping from thought to thought

the vaulting monkey

the "butterfly collector" ultimately

blocked, tired, check-mated

frozen in his tracks

but then,

surely…slowly...but inevitably,

it returns

the familiar weight,

comfortably shuffling unto

it's habitual shoulder perch

and in the fleeting second

the vapid mind is off

the hunt is on

Did I spot even a glimmer in the eye?

Surely, sounds like somewhat lighter feet

Unto the next thing

Thinking jauntily

What's next?

Where's that next gig?

Resilient optimism

Burning candles

Both ends

 

In Another Country

by Philip Levine

 

A man spreads out dried fruit

on an old blanket and lets the flies

descend in a frenzy. When I try to shoo

them away he squats down to eye level,

takes my right hand delicately in his,

shakes his head, and mumbles

what might be a prayer or words

of advice or a curse. I don't know

because no one here -- neither the sellers

nor the buyers -- speak language

I understand. An old grandfather

whose white hair halos his head

sits cross-legged on the damp grass

smoking his pipe, his eyes closed.

His wares: a pyramid of stained teeth.

Shall I assume he is the dentist

of the town? There is no town, only

fields of long grass blowing in the wind

and beyond the wind the gray mountains.

A young woman, her forehead

and cheeks a web of delicate tattoos,

holds out a bowl of red powder.

Her eyes are so alive I have to

look away. She licks a forefinger,

then jabs it into the powder and offers

me a taste. Blue and white pennants

fly from the tent poles. Women and children

on muleback stream down the hills

or from nowhere. The powder tastes

like nothing I know, not bitter like

orange rind nor sweet like ground

rose petals nor bland like dyed flour.

I had heard there were storks nesting

on the haystacks and on the tallest

chimneys of the remote villages,

and that wild, black-winged falcons

circled the fields all day keeping

watch over the land, feeding on whatever

came to rest. I saw none of that:

the only birds were tiny and caged,

beating their wings against the bars,

chattering like distant voices in dreams.

I've forgotten how I got there. I followed

the sound over a rise to the open field

where the sun poured down its grace

on the long grass, the animals, the men

and women. The wind kept prodding

at my back as though determined

to push me away from where I was,

fearful, perhaps, I would come to rest.

 

The song (The Road): https://www.youtube.com/watch?v=Sv45mLkOtv8

 

Love & Peace,

 

Akwasi


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