looks particularly interesting. see notice below
ken
kenneth harrow
professor emeritus
dept of english
michigan state university
517 803-8839
harrow@msu.edu
From: Film and TV Studies Discussion List <SCREEN-L@LISTSERV.UA.EDU> on behalf of Liquid Blackness <00000339ad35c2e6-dmarc-request@LISTSERV.UA.EDU>
Sent: Monday, December 13, 2021 2:10 PM
To: SCREEN-L@LISTSERV.UA.EDU <SCREEN-L@LISTSERV.UA.EDU>
Subject: [SCREEN-L] Liquid Blackness Issue 5.2 "Blackness"
Sent: Monday, December 13, 2021 2:10 PM
To: SCREEN-L@LISTSERV.UA.EDU <SCREEN-L@LISTSERV.UA.EDU>
Subject: [SCREEN-L] Liquid Blackness Issue 5.2 "Blackness"
liquid blackness is pleased to announce the publication of a special issue of the open-access journal liquid blackness: journal of aesthetics and black studies (5:2), edited by Alessandra Raengo and Lauren McLeod Cramer on "blackness."
This special issue is the second of three foundational issues on liquid blackness's core concepts of "liquidity," "blackness," and "aesthetics." Contributors reflect on how blackness indexes its own processes across sonic, chromatic, and performative registers. The authors approach the idea of "indexing" with jurisgenerative sensibility, showcasing modes of critical engagement that highlight the dynamic, self-reflective, archival knowingness of various object and practices, reaffirming the aesthetic realm as a privileged processing site. Attuned to the liquidity of the black arts, each author offers original insights into the relationship between black object-making and black art-making.
Contributors are Sampada Aranke, Lauren McLeod Cramer, Michael Boyce Gillespie, Kristin Juarez, Homay King, Walton Muyumba, Mark Anthony Neal, Alessandra Raengo, Jared Sexton, and Lisa Uddin.
Read the issue at https://urldefense.com/v3/__https://read.dukeupress.edu/liquid-blackness/issue/5/2__;!!HXCxUKc!l9nkMRpbYkUDgEm1Qcw8VPqafANU1LPMi8CSoytrPsc-nUrzODmRzDi7H9TX6A$ .
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Screen-L is sponsored by the College of Communication and Information Sciences,
the University of Alabama: https://urldefense.com/v3/__https://cis.ua.edu__;!!HXCxUKc!l9nkMRpbYkUDgEm1Qcw8VPqafANU1LPMi8CSoytrPsc-nUrzODmRzDhA1RNh0g$
This special issue is the second of three foundational issues on liquid blackness's core concepts of "liquidity," "blackness," and "aesthetics." Contributors reflect on how blackness indexes its own processes across sonic, chromatic, and performative registers. The authors approach the idea of "indexing" with jurisgenerative sensibility, showcasing modes of critical engagement that highlight the dynamic, self-reflective, archival knowingness of various object and practices, reaffirming the aesthetic realm as a privileged processing site. Attuned to the liquidity of the black arts, each author offers original insights into the relationship between black object-making and black art-making.
Contributors are Sampada Aranke, Lauren McLeod Cramer, Michael Boyce Gillespie, Kristin Juarez, Homay King, Walton Muyumba, Mark Anthony Neal, Alessandra Raengo, Jared Sexton, and Lisa Uddin.
Read the issue at https://urldefense.com/v3/__https://read.dukeupress.edu/liquid-blackness/issue/5/2__;!!HXCxUKc!l9nkMRpbYkUDgEm1Qcw8VPqafANU1LPMi8CSoytrPsc-nUrzODmRzDi7H9TX6A$ .
----
Screen-L is sponsored by the College of Communication and Information Sciences,
the University of Alabama: https://urldefense.com/v3/__https://cis.ua.edu__;!!HXCxUKc!l9nkMRpbYkUDgEm1Qcw8VPqafANU1LPMi8CSoytrPsc-nUrzODmRzDhA1RNh0g$
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