Dr. John Ayotunde (Tunde) Isola BEWAJI, FNAL
Emeritus Professor of Philosophy, University of the West Indies
BA, MA, PhD Philosophy, PGDE, MA Distance Education
Postgraduate Certificate in Philosophy for Children
Emeritus Professor of Philosophy, University of the West Indies
BA, MA, PhD Philosophy, PGDE, MA Distance Education
Postgraduate Certificate in Philosophy for Children
Former Visiting Research Fellow, Rhodes University Center for African Studies, Rhodes University, South Africa
Distinguished Researcher, PJ Patterson Institute for Africa Caribbean Advocacy, University of the West Indies, Mona Campus, Jamaica
Member, CODESRIA College of Mentors
Founding President, Academy of African Indigenous Religions, Theology and Arts - AAIRTA
Distinguished Researcher, PJ Patterson Institute for Africa Caribbean Advocacy, University of the West Indies, Mona Campus, Jamaica
Member, CODESRIA College of Mentors
Founding President, Academy of African Indigenous Religions, Theology and Arts - AAIRTA
Former Professorial Fellow and Distinguished Lecturer, National Open University of Nigeria, Abuja, Nigeria
Former Senior Research Associate, University of Johannesburg, Republic of South Africa
Former Senior Research Associate, University of Johannesburg, Republic of South Africa
Former Caribbean Exchange Scholar, Hunter College - CUNY, New York
Former Jay Newman Visiting Professor of Philosophy, Brooklyn College - CUNY
Former Guggenheim Research Fellow in Philosophy of Culture
Former People to People Philosophy Ambassador to Russia and Hungary
Former Chair, National Bioethics Commission of Jamaica (UNESCO)
Mailing Address:
PJ Patterson Institute for Africa Caribbean Advocacy, University of the West Indies, Mona Campus, Jamaica
Tel: +18768051909
Email: tundebewaji@yahoo.com (alternate)
johnayotundebewaji@gmail.com (alternate)
Former People to People Philosophy Ambassador to Russia and Hungary
Former Chair, National Bioethics Commission of Jamaica (UNESCO)
Mailing Address:
PJ Patterson Institute for Africa Caribbean Advocacy, University of the West Indies, Mona Campus, Jamaica
Tel: +18768051909
Email: tundebewaji@yahoo.com (alternate)
johnayotundebewaji@gmail.com (alternate)
john.bewaji@uwimona.edu.jm (alternate)
Books include:
http://www.cap-press.com/books/isbn/9781611630879/Narratives-of-Struggle (2012)
http://www.amazon.com/Black-Aesthetics (2012)
https://rowman.com/ISBN/9780739185032/Ontologized-Ethics (2013)
https://rowman.com/ISBN/9781498518383/The-Rule-of-Law-and-Governance-in-Indigenous-Yoruba-Society-A-Study-in-African-Philosophy-of-Law (2016)
http://www.cambridgescholars.com/the-humanities-and-the-dynamics-of-african-culture-in-the-21st-century (2017)
https://rowman.com/ISBN/9781498598132/Identity-Re-creation-in-Global-African-Encounters (2019)
https://epub.uni-bayreuth.de/5358/1/WP25-AMc-2-Bewaji-Diaspora-2021.pdf
https://youtu.be/xkq1XPSMHTs
https://rowman.com/ISBN/9781666905830/Fragmented-Identities-of-Nigeria-Sociopolitical-and-Economic-Crises#:~:text=%22Fragmented%20Identities%20of%20Nigeria%20offers,the%20different%20segments%20of%20the (2022)
Books include:
http://www.cap-press.com/books/isbn/9781611630879/Narratives-of-Struggle (2012)
http://www.amazon.com/Black-Aesthetics (2012)
https://rowman.com/ISBN/9780739185032/Ontologized-Ethics (2013)
https://rowman.com/ISBN/9781498518383/The-Rule-of-Law-and-Governance-in-Indigenous-Yoruba-Society-A-Study-in-African-Philosophy-of-Law (2016)
http://www.cambridgescholars.com/the-humanities-and-the-dynamics-of-african-culture-in-the-21st-century (2017)
https://rowman.com/ISBN/9781498598132/Identity-Re-creation-in-Global-African-Encounters (2019)
https://epub.uni-bayreuth.de/5358/1/WP25-AMc-2-Bewaji-Diaspora-2021.pdf
https://youtu.be/xkq1XPSMHTs
https://rowman.com/ISBN/9781666905830/Fragmented-Identities-of-Nigeria-Sociopolitical-and-Economic-Crises#:~:text=%22Fragmented%20Identities%20of%20Nigeria%20offers,the%20different%20segments%20of%20the (2022)
----- Forwarded message -----
From: Saheed Aderinto <saderint@fiu.edu>
To: research_africa@duke.edu <research_africa@duke.edu>
Sent: Friday 1 November 2024 at 20:50:23 GMT+1
Subject: The Deadline for Abstracts for the Lagos Studies Association Conference is Approaching (Hybrid) June 17-21, 2025
The Deadline for Abstracts for the Lagos Studies Association Conference is Approaching
As always, the Lagos Studies Association Conference will have a couple of organized panels. If you are looking for a panel to join, consider any of these organized panels, or organize your own, or submit your abstract to the general pool: https://lnkd.in/eCaJrzgt
Deadline: December 1
As always, the Lagos Studies Association Conference will have a couple of organized panels. If you are looking for a panel to join, consider any of these organized panels, or organize your own, or submit your abstract to the general pool: https://lnkd.in/eCaJrzgt
Deadline: December 1
------
Is Theater Completely Dead in Africa? Celebrating 25 Years of Karin Barber's The Generation of Plays https://www.lagosstudies.org/s/Olokodana-James-sd2n.docx
Rethinking African Popular Music: A Critical Celebration of the 35th Anniversary of Christopher Waterman's Jùjú: https://www.lagosstudies.org/s/Popoola.docx
Bridging the Past and the Future: African Information Science in Transition: https://www.lagosstudies.org/s/Adebayo-dpj7.docx
Lagos Na Wa, I Swear: Connecting the Auto/Ethnographies of Lagos Peculiar Memories, Tales and Conjectures as In/tangible Heritage: https://www.lagosstudies.org/s/Ademowo.docx
From Beats to Activism: Engaging the Transformative Power of Fuji Music in Eco-political and Social Reorientation: https://www.lagosstudies.org/s/Ademowo2.docx
Epistemicide, African Narratives of Struggle and the Question of Knowledge and Identity in the Works of Ayotunde Ishola Bewaji: https://www.lagosstudies.org/s/Ademowo3.docx
Ololade Asake: The ''Lungu Boy'' Album: https://www.lagosstudies.org/s/Folajimi.docx
Sákárà Music Yesterday, Today and Tomorrow: https://www.lagosstudies.org/s/Ogunnaike.docx
Being neither here nor there: Continuity and Discontinuity in Wole Soyinka's Works: https://www.lagosstudies.org/s/Ojoniyi.docx
Navigating Identities: Migration, Belonging, and Identity Formation: https://www.lagosstudies.org/s/Oluwasanmi.docx
Science, Technology, and Indigenous Knowledge in Africa since the Precolonial Period: Engaging the Scholarship of Gloria Emeagwali: https://www.lagosstudies.org/s/Adebayo-and-Okpalaeke.docx
Love in the Time of Likes: Dating and Matchmaking in Nigeria Digital Media https://www.lagosstudies.org/s/Onanuga.docx
Everything is Imagined: Continuity and Discontinuity in Historical Nollywood Films https://www.lagosstudies.org/s/Soetan.docx
"The Age of Concrete": Rethinking Colonial and Transnational Architecture and Spatial Transformation in the Global South https://www.lagosstudies.org/s/Isiani.docx
Of Streets and Streeters: Bodies, Expressions, and Identities in African Urban Space https://www.lagosstudies.org/s/Wright.docx
Doing History with Films: Nollywood, History and Cinematic Truth https://www.lagosstudies.org/s/Olaiya-and-Afolayan.docx
New Directions in African Dramatic Expressions: Discontinuities and Continuities https://www.lagosstudies.org/s/Olukayode.docx
Women and Corruption in Africa's Politics https://www.lagosstudies.org/s/Omotoso.docx
Gender and the Patriarchy in Nollywood Films
Exploring the Impact of Platformization Across Sectors: Labour, Cultural Production and Economic Transformations https://www.lagosstudies.org/s/Etemah.docx
Lagos as a Text in African Literature and Popular Media https://www.lagosstudies.org/s/Ugor.docx
Lionheart's Disqualification: The English Language, and (Dis)belonging in the Postcolonies https://www.lagosstudies.org/s/Aboh.docx
Bridging the Gap: Technology, Indigenous Knowledge and the Transformation of Education in Africa https://www.lagosstudies.org/s/Omordion.docx
Exploring Continuities and Discontinuities in African Visual Arts, Education, and Cultural Histories https://www.lagosstudies.org/s/Ajayi-9as6.docx
Journey through time: The evolution of women in the Nigerian film industries https://www.lagosstudies.org/s/Anulika.docx
GenZee Culture: Disruptive Creativity, Sex, Music/Gaming, Mental Health, and Social Media (DC-SMMS) https://www.lagosstudies.org/s/Agidigbo.docx
Indigenous Knowledge: Ecology, Culture and Politics of Resistance in Colonial Africa Indigenous Knowledge: Ecology, Culture and Politics of Resistance in Colonial Africa
Aquatic Africa: Water and Marine Life in Historical and Contemporary Perspectives https://www.lagosstudies.org/s/Yusuff.docx
Uncovering Hidden Histories: Continuities and Discontinuities in African Historiography https://www.lagosstudies.org/s/Audu.docx
AI, Folklore and Cultural Sustainability: Leveraging African Indigenous Knowledge Systems https://www.lagosstudies.org/s/Oyigbo.docx
Identity and Conflict: Exploring the Nexus Between Intergroup Relations and Violence in Africa https://www.lagosstudies.org/s/Olusanjo.docx
Women's Performance Art as Cultural Expression in Africa: Learning from the Past, Shaping the Present, and Defining the Future https://www.lagosstudies.org/s/Epochi-Olise.docx
Violence in Africa: Political Legacies and Modern Challenges in Governance https://www.lagosstudies.org/s/Giwa.docx
Nollywood Film Remakes: Digital, Thematic, and Narrative (Dis)Continuities https://www.lagosstudies.org/s/Okwuowulu.docx
GenZee Culture: Disruptive Creativity, Sex, Music/Gaming, Mental Health, and Social Media (DC-SMMS) https://www.lagosstudies.org/s/Agidigbo-wl97.docx
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Saheed Aderinto
Winner, The Dan David Prize
Professor of History and African and African Diaspora Studies
Department of History
African & African Diaspora Studies Program
Florida International University
Modesto A. Maidique Campus, 300 SIPAII
11200 SW 8th Street
Miami FL 33199
Producer and Director of The Fuji Documentary
Website: saheedaderinto.com
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